James Whistler believed that art should speak for itself, and that the subject matter of a painting was not important. To underline this point, he called his paintings symphonies, nocturnes, etudes, and arrangements—names usually given to musical works.
His most famous work is a portrait that carefully balances areas of light and dark. He called it “Arrangement in Grey and Black, No. 1.” Most people know it by another name: “Whistler’s Mother” seen here with this post.
Born in Massachusetts, Whistler spent much of his youth in Russia, where his father built a railroad for the government. He attended the military academy at West Point, New York, but left to become an artist. He worked as a mapmaker, learning the technique of etching and printmaking.
Then he moved to Paris, where he joined a circle of Impressionists painters. There he began collecting Oriental art, which became a major influence on his work. He moved to London in 1859.
Whistler was famous for his sharp tongue, dandyish dress, and eccentric manner. But he was serious about his art. Many of his etchings and paintings were moody and impressionistic, and his work was often derided.
In 1877, critic John Ruskin accused him of “flinging a pot of paint in the public’s face.” Whistler sued Ruskin for libel and won. In later years, Whistler was acclaimed for his brilliant lithographs and subtle portraits, in which he presented his subjects in silhouette against a black background.